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Date: 29 August 2008
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Creation Of Special Effects  

Topic Name: Creation Of Special Effects

Category: Optical imaging

Research persons: 4engr.com

Location: NIST, 100 Bureau Drive, Stop 1070, Gaithersburg, MD 20899-1070, United States

Details

Creation Of Special Effects

Slides of the special effects
How to create an explosion? Which techniques are employed to put in scene dinosaurs with men? The cinema uses many special effects to captivate the spectators fully. The Net surfer shows you the back of the decoration.
Realization of explosions
Explosions of cars, flames spouting out of any share, not doubt you are well in a film of action. Objective: to surprise the spectator while sticking to more close with reality. How the bomb disposal experts proceed? Various techniques are at their disposal.
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Use of explosive truths
So that the deflagration is most credible possible, the realizers do not haggle over the means and leave heavy artillery. The pyrotechnics, professionals of the explosives use to reduce in crumbs cars or another decoration of studio of the explosives known as deflagrating. There exists breaking but they are too much dangerous to handle because their compounds are unstable. The least shock can be transformed into drama.
The more known blasting powder to be employed formerly in the guns is an excellent fuel and it is quite homogeneous thus stable. But how does an explosion function? All rests on chemistry and more particularly on a reaction of transfers of electrons .An oxidant and one reducer are put in presence and interact. The oxidizing compounds, nitrates, chlorates or per chlorates are used as fuel while releasing from oxygen. It will be collected by the reducers, sulphur, carbon or magnesium called fuels. But which causes combustion? Fire, from where the recourse to wicks. The firing can be carried out remotely year connecting of electric wire to a central order or by detonators connected to the same system release. Combustion generates a matter in overpressure then. While turning over to balance with the atmospheric pressure, it creates a deflagrating breath.

Amplification by models
For large buildings or official buildings, a model is created. Do you believe that for the film Independence Day, realizer A really destroyed the Empire State Building or the White House?
Generally, the model makers work out the support in plaster and plastic. The small loads are placed on all the model, at strategic places so that the deflagration is total. To be sure of their blow, the specialists perforate materials following of the lines of break. Result: the model is entirely destroyed.
The difficulty resides then, not in the explosives but in the film techniques. Several cameras film the action at high speed and under various angles. Then with the assembly or in post-production, images of the scene sontt slowed down at a speed of 24 /second images. The explosion takes very an other dimension and the remains circle everywhere for an incredible effect.
 

Smoke screen or fog
Michaël Jackson in person used of this special effect for its Thriller clip. A means simple to generate a mysterious environment, of fear or suspense. And you will see, to produce smoke or fog, anything simpler. It is enough to observe nature and the turn is played.
The fog is generally formed with the top of water, often colder than the ambient air. Photograph © COPIOUS Patrice (galleries photographs of the Net surfer)
 

When physics is interfered
In winter, it is common to observe with the first gleams of the day, of the fog. From which does this phenomenon come? Physics is at the origin of this demonstration. The fog is formed same manner as the clouds. A mass of air passes to the top of a cold surface. The air contains water molecules in gas form. In contact with the cold air, the temperature will fall and cause a change of state water. The molecules will pass from a gas state to a liquid state, condensation. Fine droplets in suspension or small crystals of ice, accompanied by microscopic particles cantatrice of moisture, will pile up generating a thick cloud on the level of the ground or a river, the fog.
Beyond that, an ambient temperature lower than 0° C, water still changes state and is transformed into ice or white frost and will settle on the ground. And well, the professionals of the special effects base themselves on this purely physical natural phenomenon to reproduce smoke or fog with the cinema or in concerts.

“Smoke-producing” compounds naturally
There still nature offers on a plate the compounds necessary to the clothes industry of smoke. Is enough to have some concepts of physics.
Carbon dioxide present in our atmosphere exists in gas form but also in solid form: carbonic ice or dry ice. It is obtained by compacting dry ice, CO2 is present in the liquid state there. Its temperature of surface east of -78° C. to create smoke leaving for example a magic potion, the technicians plunge a pastille of dry ice in hot water. With its contact, it starts to melt and releases gradually from carbon dioxide, heavier than the air. Contrary to the steam, it does not go up and goes down causing a thick smoke.
This effect can be also produced by liquid nitrogen. It is very often used in the medical field to treat warts either to freeze embryos or ovules. This liquid nitrogen is a gas diazotizes cooled in lower part of its point of boiling to -195,79° C. Stored in isothermal bottles, the gas is maintained at this temperature. While opening the bottles, the liquid nitrogen comes into contact with the ambient air and cools it instantaneously. This fast condensation causes a cloud made up of fine water droplets.

Creative machine of smoke
To optimize to the maximum this phenomenon and to produce smoke in large quantity, the technicians use a smoke-producing machine. The majority of these guns with smoke function starting from glycol or of glycerin. Inside, the fluid made up of water and glycol/glycerin, is pumped and sent towards a heating system. The liquid phase changes then into gas, evaporation. The volume of produced gas generates a certain pressure in the machine which expels the cloud at the exit. The ambient air being colder than gas, this one condenses and creates a fog.
This process functions very well but the technicians generally use it in an open space or then ventilated well because the glycol or oils can have effects on health.
else blood and wounds
The films of horror use and misuse hemoglobin at the point to nauseate the spectators of them. Fear anything, no actor is not bled with white during turning. A small very simple formula that you can reproduce on your premise is concocted before each scene.

A very sweetened formula
As opposed to what one believes, it is not necessary to have a diploma of chemistry “to cook” false blood. By preoccupations with a realism, the scenario writers used ox blood which butcheries gave them readily. Only concern: this blood coagulates too quickly and becomes maroon. Not practices when many catches should be carried out. Then, the technicians created each one their secret formula to develop their hemoglobin.
All the ingredients are easily in the trade. It is enough to mix chocolate tubes some that one puts on the ices with carmine food dye and water. Attention should be paid not too much not to dilute the mixture and to keep a viscous aspects stick to more close to reality. You can easily replace the chocolate by potato flour or flour. The important thing is to use a product which homogenizes. Small indication: do not use toxic dyes because the mixture is in direct contact with the skin.

Techniques of dissimulation
How to reproduce cuts truer than natural or a “sticking” in rule? The technicians redouble ingeniousness to prevent the spectator from finding trickery. And you will see that these special effects inevitably do not require large means nor of advanced technology.
To simulate a cut, the accessories supplier takes a traditional knife from which it eliminates the effect slicing while passing it to the grinding machine. It is necessary imperatively that when it passes on the skin, he does not wound the actor. On the internal face of the blade, a hose connection filled of false blood is fixed. At its end, a syringe is positioned to make squirt blood. And there, the realizer enters in scene while playing with his camera and uses various plans so that the assembly is not seen. At the time of the cut, the scenario writer carries out a large furtive plan and at the same time, a person presses on the syringe to make leave blood. So that all is perfect, a synchronization is essential. Without what, the effect of surprise falls flat.
At the time of scenes of fight, the actors can hide small capsules in their mouth and crunch them at the time to make ooze blood on the level of commissars. As for the impacts of balls, a hecatomb is hidden under clothing and a small load explodes it remotely.
Special effects all that there is of simpler but the plays of camera take part largely in the desired effect.

The laser saber
Arm worship with the trilogy of George Lucas, the Star Wars, the laser saber is a pure illusion. In reality such a tool does not exist. How the technicians began there it to work out and m^me to improve it at the time of the last three shutters?

An impossible reality
Who forever dreamed to be caught for Luke Skywalker or Dark Vador with their incredible “laser sword”? Everyone of course. And well unfortunately, these weapons are only pure fiction and this for physical reasons well defined.
The laser is propagated in a direction and is invisible with the naked eye what is not the case in film. To be able to observe the pencil of light, it is necessary that particles interact with him. The best example is of soupoudrer chalk and the ray appears. Another problematic case: finite of the laser. The ray does not stop like that. It diffuses read further possible until absorption. To obtain an effect similar to the sabers of Wars Star, would have to be applied a reflective mirror with the end but it is all the same difficult to maintain it in the air. Last element which definitively eliminates a possible existence from this laser saber, the “shock” and noise produced at the time of the engagements. The laser is a light made up of photons. In physics, the light is known as immaterial. It is thus perfectly impossible of entrench queer two beams laser between them.
In our Universe, the only compound able to fulfill such a function would be plasma, a heated gas where the atoms are uncoupled from their (S) electron (S).

A faking which evolved/moved
With each turning of a new shutter of his saga, the realizer George Lucas and his team of technicians developed various easy ways to create these famous laser sabers.
In the very first episodes, dating from the Seventies, technology was not at the current level. To make the sabers luminous, the accessories suppliers had made swords assembled on a motorized handle. Along the blade, three mirrors were laid out so as to return by phenomenon of reflex ion the light projected by a spot beside the camera. Proving not very effective, this system was abandoned with the profit of a process of animation developed at the point by Dave and max Fleischer in 1914, the radioscopy. It consists of the incrustation of an image on the video already recorded. How?
Actors moment the scene of combat with simple rods all. Progressively with the episodes, the materials used for their clothes industry evolved/moved, while passing from aluminum to the sophisticated fiber ultra carbon. Before the appearance of data processing, the radioscopy was done by a show of hands. Maintaining with digitalization, this process takes much less time and the realizer can directly incorporate sabers laser of different color without difficulty. It is just enough to have the good software.
In the Co and Star Wars, the radioscopy was especially used for the battles between the spaceships. Models of vessels were manufactured. The cameras filmed them on all the sides. Then, the technicians added them on a star bottom drawn. The images amalgamated and all appeared real.
As for the mythical noise of the laser sabers which are entrench opulent at the time of the engagements, the sound-effects men are in the beginning. Without them, the desired effect would not be obtained. This its private individual was invented by Ben Burtt. How did create? It just mixed the noise of a lamp of projector with the sound emitted by the interference created by a television on an audio cable not armored.

Technique of the holograms
Of Trek Star while passing through Wars Star, all the films of science fiction call upon holograms. Remember the way in which the Emperor with Dark Vador appears.

A three-dimensional image
As opposed to what one could believe, this technique of creation of the holograms, holography, is not of nothing recent. The first to have included/understood the transformation of an image 2D into 3D is the Hungarian physicist Dennis Gabor in 1948. How? It developed mathematical equations materializing a three-dimensional photographic system. From these theoretical principles was born the first hologram in 1965.
The holograms are photographs 3D which seem as suspended in the airs. How to obtain this effect? It is physical quite simply. But this technique could be at the point thanks to the appearance of a monochromic source of light, the laser. Without it, the effect is not possible.

Photographic impression
An object which one wishes to represent in hologram is sandwiched between the laser and the photographic plate where will print the image. That functions like a film. The laser emits a pencil of light which will be divided into two thanks to semi-reflective mirrors. One of the rays illuminates the plate located in background and the other lights the object; it is then considered on the plate. Automatically, the two beams meet and create interferences. They then will print the three-dimensional image of the object on this plate by taking account of the depth.
To restore the image, the printed plate is lit by the laser under. The object appears in 3D. Magic!

Reality or fiction?
Of course, this result is not comparable so that one observes in Retour towards the future or Wars Star. At present to carry out such a prowess, the technicians polish the holograms thanks to data-processing software and resort for much to synthesized images. But soon, science fiction will not be so any more far away from reality .
Researchers of the USC (University of Southern California) developed the very first holographic screen in 3D which projects in the air a hologram. This device functions thanks to a horizontal mirror turning at high speed and a projector. But the system is still little succeeded and requires fuller research.
The Japanese of the AIST (Advanced Industrial Science and Technology) have advanced largely in the holographic imagery. The technique rests on the cross use of several beams laser. Result: a luminous plasma in relief appears and floats in the air. The infra-red beams release from the luminous points in space and are reflected by mirrors laid out except for the micron. An image takes shape then right in the middle of this device. Small secrecy: so that this image plasma appears, it is necessary that the environment is charged out of vapor concentrated in electrons and ions but whose exact composition remains unknown.
Sure that the cinematographic technicians go ruer above as of its marketing

In short
A film stripped of all emotions is unquestionably missed. Imagine Jurassic Park with dinosaurs out of paperboard paste or many scenes of action without explosion on all the sides? Unthinkable.
The objective of a scenario writer is to divert the spectators and of their putting full the eyes of them. The special effects fill this role and this of various manners. Models, make-up, prosthesis, sound effects, accessories, puppets, data processing… the world of the illusion contains an incredible number of technique.
The true revolution with the cinema took place with the appearance of data processing and the numerical one. Previously, the special effects were already remarkable, with the image of Wars Star of George Lucas, success with the box world office. Thanks to software, realism is multiplied by ten and the facility of realization is much more important. Radioscopy, morphing, warping, motion control, etc work to create astonishing virtual decorations. Moreover, the world of publicity uses more and more with these technical processes.


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